MaM X Salamanca June 14, 2018

10th Meeting International Musicological Society Music and Media Study Group [IMS-MAM]
in collaboration with

XI SIMPOSIO INTERNACIONAL LA CREACIÓN
MUSICAL EN LA BANDA SONORA
IV SEMINARIO DE MÚSICA INCIDENTAL: Composing in Spain
TERCER ENCUENTRO DEL GRUPO MÚSICA Y LENGUAJES AUDIOVISUALES de la SedeM

Salamanca, 13 -16 June 2018
Facultad de Geografía e Historia (Universidad de Salamanca)

All MaM presentations will take place on Thursday 14 June.

10:45–12:15. Sesiones paralelas: IMS Music and Media Study Group-Documentaries and feature films (Salón de Actos). Coordina: Prof. Dra. Matilde Olarte Martínez (University of Salamanca).
Mesas de ponencias:
¥ Opening: A decade of MaM (Emile Wennekes, Chair MaM.)
¥ Music, Temporality and the Hyperreal in Recent Documentary Films by Adam Curtis (Jeremy Barham, Surrey University, Guildford).
¥ Musical metaphors of time in the documentaries by A. Sokurov: On the example of Spiritual Voices (Nataliya Kononenko, State Institute for Art Studies, Moscow).
¥ The Other Face of Takemitsu: Alienation, Interculturalism, and Modernism in the Japanese New Wave (Jasper van den Bergh, Utrecht University.)

12:15 – 12:30 – Coffee break

12:30-14:00. Sesiones paralelas: MaM- Music, politics and commercials (Salón de Actos). Coordina: Prof. Dr. Michael Saffle (Virginia Tech, Blacksburg, EEUU).
Mesas de ponencias:
¥ Past versus Future: the influence of the media in the preservation of the musical status quo during early Francoism (1945-1956) (Alberto Caparrós Álvarez, Universidad Complutense de Madrid).
¥ “We’ve Got a Taste for You”: From a 1985 Coke to coffee in Seattle, Spotify playlists, and why the musical canon matters to brands (Marc Ernesti, The Crane School of Music, SUNY Potsdam).
¥ What’s opera doc? On the uses of opera in audiovisual commercials in the internet age (Paula Gomes-Ribeiro, CESEM – Research Center on the Sociology and Aesthetics of Music, NOVA University of Lisbon).

Sesión de Tarde

16:00-17:30. Sesiones paralelas: MaM – Small screen audiences (Salón de Actos). Coordina: Dr. Emilio Audissino (University of Southampton).
Mesas de ponencias:
¥ When audio and immersion (freely) collides: on sound and mods for The Elder Scrolls in the Nexus Mods platform (Joana Freitas, CESEM – Research Center on the Sociology and Aesthetics of Music, NOVA University of Lisbon).
¥ Creating Big-Screen Audiences through Small-Screen Appeals: Music and Sound in Television Spots (James Deaville, Carleton University, Ottawa).
¥ For Whom Does The Orchestra Play? Audiences On And Off Screen In Filmed Music (Gaia Varon, Catholic University of the Sacred Heart, Milan).

17:30 – 18:00 – Coffee break.

18:00–20:30. Sesiones paralelas: MaM – Methodologies (Salón de Actos). Coordina: Prof. Dr. James Deaville (Carleton University, Ottawa)
Mesas de ponencias:
¥ Moment, Number, Song: Theoretical and methodological approaches to read musical numbers (Claus Tieber, University of Salzburg).
¥ The Agency of Music in Audiovisual Artefacts: A Gestalt-based Approach (Emilio Audissino, University of Southampton).
¥ Film music analysis: A syndiegetic Approach? (Emile Wennekes, Utrecht University).
¥ Teaching Film Soundtracks the Topical Way: Musical Traditions and their (Re)presentations in Courses on Music and Film (Michael Saffle, Virginia Tech, Blacksburg).

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